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Comprehensive, but of inferior quality.
dali in text and graphic
Dali 1 Vol (2 volumes into one hardcover edition)You will not be disappointed with this book and I think you'll agree that the quality is excellent, with a solid binding and beautiful reproductions of all of his paintings in chronological order. There are also a great deal of photographs (and paintings) that I've never seen before, and I thought I was a huge fan of Salvador Dali.
"Dali, The Work The Man" is also a very well-made book, which may be printed on a slightly heavier grade paper, at the most. However, the Taschen book is far more detailed and also excellent quality. "Dali, The Work The Man" costs ten times as much and only has half the content.
I truly thought there must have been some mistake when I ordered it.I still question the price as being far too low, so I advise you to hurry up and get this before the publisher realizes their huge mistake. Perhaps we are dealing with a publisher who really isn't greedy at all--that's my impression here.
I couldn't be happier with my purchase of this book and highly recommend it.


No cd or downloadable code for exercisesIt is two months later and there is still no code for the exercises at the end of the chapters. The sample code is still available, however.
Outstanding!
Great book but remember it's designed for beginners

Good book for female body buildersAnja Langer includes workout routines for the beginner, intermediate and advanced bodybuilder. Also information on losing body fat, and diets to follow wether your goal is simply to get in better shape, or to become a competitive body builder. This is a guide I turn to whenever I feel like changing my workout routines, and what is best for me at any given time.
A Great ReferenceOne of the things I like about it the most is her no nonsense approach to exercising during pregnancy. I also appreciate that she's not as "hard" looking as other women bodybuilders, why this matters, I don't know, maybe she's easier to relate to.
GREAT BOOK THAT HAS BEEN OVERLOOKED!

Um, all these reviews are for the wrong book!By the way, is there a place where I can review the reviews?
Boys Against GirlsIn a small town, there lived two certain families, the Hatford and the Malloy family. The Hatford family consists of three boys, the Malloy family consists of three girls.
The two families were neighbors and they loved to these each other, so the Hatford boys thought they had a great idea by going to tell the girls that the animal, the Abaguchie, exsisted and was spotted close where they live. The Malloy girls believed the guys, as the Hatford boys just keep on playing along with them like the animal really exsisted and it was close to their house.
(...)
Overall, I would say this book was pretty well written for a kid my age.
Boys Against Girls the book you should read!!!

conspiratorial whispers
A good read, but seems a bit over priced
Buy it while you can...

A comprehensive guide to Attack of the Clones
Another great Star Wars book!
Great Book for photo references

WROX falls short with this one
Pretty Good
this is how a book on programming should be writtenNot this book. "Beginning VB 6 AppDev" takes you, as it were, by the hands, and leads you through the tunnels, the caverns and other subtleties of application development. What you have at the end is a superb application, and a well enlightened reader. It is very rare to find a book this good: a single book that covers virtually everything needed to develop a fully, functional scalable application. Yes, it covers the whole development life cycle of a multitiered application.
The authors did a very good job. I gave it five stars because it is worth five stars. If you are not convinved, get a copy, and study it.


Good for solid understanding
This book is for EXPERIENCED programmersThe book has an excellent introduction to ASP.NET for web services. It probably is worth just going over the first two chapters to get a flavor of web services. Word of caution, I downloaded the VB samples, and they were a bit buggy. If you are a C# developer, the code in the book was fine. The VB code was not...
Comprehensive coverage

The time of the worldBraudel sees three levels of time. Events time is the immediately observable. But the event doesn't explain itself. They have to be placed within the context of what Braudel called conjunctures, or the set of forces that prepare the ground for events. Conjectural time is medium term; the span of an economic cycle, of a certain configuration of social forces, or of a certain paradigm of scientific knowledge. At the deepest level is longue duree. It involves structures of thought (mentality) that are very slow to change: economic organization, social practices, political institutions, language, and values. These structures are all cohesive and interdependent, yet each moves at a different pace. Conjunctural changes that become consolidate and stabilized could signal a change in the longue duree. Events are conditioned and shaped by the structures of the longue duree, but events may also cumulatively challenge, undermine, and transform these structures. The explanation of history involves the interaction of all three levels of time.
Three levels of time correspond to three layers of economy. capitalism has the longue duree as its modality of time. But Braudel use the term, capitalism a bit different from Marx's definition. Braudel defines capitalism as world-economy. There have been several world-economies throughout history. Capitalism is only one of them. World-economy structures (or organizes) the space as a hierarchy of division of labor. At the top of the hierarchy lies a center. Several world-cities surround it. So world-economy is about patterning space around a central city. This is the point Braudel meets the world system theory. In fact, Wallerstein, the proponent of world system theory borrowed Braudel's idea. American world system theories centered on Wallerstein and the SUNY's Braudel Center.
from market mechanisms to policy and historyIn fascinating detail, Braudel starts with the trade system of Venice, which allowed that tiny and resourceless city-state to dominate the world trade economy for centuries, and which culminated in the golden age of Amsterdam. THese cities, he argues persuasively, pushed commercial and financial capitalism to new heights, that is, with a combination of banking and control of trade routes, they created monopolies that benefitted themselves largely at the expense of their trading partners. They did so with a combination of readily mobilisable financial capital, clever warehousing (particularly in Amsterdam, which was like a perpetual market fair) that allowed them to control supplies and hence sell items at the right time for the higest price, domination of shipbuilding technologies as well as naval prowess (i.e. state piracy), and the control of the origin of their supplies, as in the Dutch East Indies for the spice trade. Braudel argues that it was a conscious policy. He also deliniates how Spain and then Portugal were beaten.
He then moves on to the birth of industrial capitalism in England in the late 18th C, which the loss of the American colonies - and hence ended its military obligations there while trade increased - facilitated. The great difference here, which he argues is a creative extension of the other long-existing forms of capitalism rather than its true beginning as many claim - was that investment was made in new technologies. It is similar to what the U.S. and Japan have done as major economic powers with different industrial systems: the U.S. had the largest national market, while Japan created cartels that could control prices (going after market share rather than immediate profit).
Braudel also examines basic questions of how an economy is successfully "revolutionised." What makes inventions take off in one society and not another? Is it one factor, or many acting together in concert? In particular, he compares the cases of the newly de-colonised United States and Latin American, in which the former was able to place itself at the center of the world economy and compete while the latter were weak and hence consigned to a subordinate role by the superpower of the day, Great Britain. He also examines the case of France, which was never able to enter the first rank of commercial and industrial nations prior to the 20C because, he argues, Paris (an administrative and not a trade capital) dominated the country and never learned to respect entrepreneurs.
These arguments are truly fascinating and presented with the perfect amount of detail: not too much as is often the case with Simon Schama, and not so little that only specialists can understand it. While it is sometimes difficult to follow his thread of logic, there is so much to learn from this book that I will consult it for the rest of my professional life. As a measure of its interest, I kept a marker in the footnotes, where I loved to look for references on virtually every page.
Nonetheless, as a 2000-page book that I loved, I am glad that it is done! It took me nearly two years to get through it all and I wished at times that it was more succinct. I found myself fliiping through it to see where illustrations would shorten the text. The conclusion, which attempts to offer persoective on the present, is also badly dated.
All in all, this is the most interesting and best economic history that I have ever read.
from lifestyle, to systemsThis volume adds to the first, moving from living standards to the establishment and functioning of trading and banking systems, both by capitalists (holders of sufficient resources to manipulate markets) and the merchants and craftsmen who operated within these markets. It is a crucial distinction that demonstrates how simple-minded the ideological argument of "free markets" can be: the rich can and do design economic systems to function to their advantage. You follow the development of international trading networks by Italians, Jews and Armenians; the evolution of banking and the handling of paper money; and even the influence of social hierarchies on economic growth.
While Braudel concentrates almost exclusively on Europe in this volume, which lessens the universality of his approach, it is utterly fascinating from page one. The economic systems he analyses were somewhat incomplete, though evolving rapidly. An additional limit to his approach is the exclusive focus on econimic life. At times, he views the building of chateaux and the commission of great works of art from the Reanassance to the 19C as a reflection of the lack of wealth-generating investment opportunities during a time of economic revolution!
And that is just a few of the issues covered. Each section of the book is like an essay on some basic economic notion. As such, the book assumes a great deal of historical knowledge in the reader, though Braudel often explains what he refers to briefly. For me, this added to its appeal and density, but it is often hard going. However, the book is leavened by wonderful and fascinating illustrations, which eases the task of getting through it at times.
Highly recommended.


Getting It Right.Mr. Price has opinions on most subjects and certainly doesn't hesitate to express them. Even when some of his subjects do not particularly interest me, I as always feast on Mr. Price's language. There's something for almost everyone here. I was moved by his essay called "Wheelchair Travel," and also liked "The Great Imagination Heist," where he laments the evils of TV exposure on today's students, and "Private Worship." Mr. Price avoids the typical white church in America today which he describes as "The church as country club" and, like Emily Dickinson, keeps the Sabbath staying at home. Sound familiar?
Horace, not Homer
A book I treasure
The worst fault by far is that the printing of the paintings is consistently too dark. Three examples: The blue colors of: "Myself at the age of Ten when I was a Grasshopper Child" (p.202) are much too dark. It is even worse with: "Ghost of Vermeer of Delft which can also be used as a Table" (p.222) Here the figure of Vermeer is in points indistinguishable from the backround and the sky is much too orange, instead of yellowish. The worst example is that of "The Last Supper" (p.488) where the apostles on the extreme left and right of the painting can barely be distinguished. There are many other examples of this. I made this comparison using several other books and exhibition catalogues, and have also seen the three paintings I mentioned as examples in person more than once.
A close examination also reveals that both paper and binding are not of high quality. I have a feeling this book will not stand the test of time. One way to tell a good Art Books when the paper is a higher weight. Judging from the paper, I have a feeling it will yellow in a few years. This is, incidentally, true for other Books that I own published by Taschen. Also, a book this heavy should really have a stronger binding.
Annoying also is that there is no alphabetic index of the paintings. Unless you know the year a painting was created, as they are in chronological order, there is no way to find it except by paging around.
Despite these complaints, I still like the Book because it includes paintings I have never seen before. If however, you want to see the paintings of Dali as they really look, get "Dali: The Work, the Man" instead. It suffers from none of the faults I have descibed, but is not as comprehensive. It's worth the extra money. In collecting Art Books I have found that higher quality Books stand the test of time.